If you tell the truth you don’t have to remember anything.

Page 63 · Location 660-661

If you tell the truth you don’t have to remember anything. —MARK TWAIN

Page 63 · Location 660-661

who would want to be friends with that perfect, stuck-up-sounding person?

Page 64 · Location 681-682

Remember, no one cares about your life.

Page 67 · Location 703-704

A:You have to trick people into caring about your life. You have to somehow make them think that your life is just like theirs. Once you do that, they will listen to anything you have to say.

Page 67 · Location 706-708

look how easy it is to flip the first few lines of my story into something that relates more to the general population.

Page 70 · Location 743-744

sometimes the best nights of our lives are not about fancy dining and evening gowns but good friends and a good spirit.

Page 71 · Location 759-760

the stories you find yourself telling repeatedly in social situations are the one you should be exploring to develop more.

Page 71 · Location 760-761

We are all selfish. Unless your story is also our story, we won’t give it a chance.

Page 74 · Location 791-792

There’s no place like home. Everything you need, you already have; you just need to believe in yourself. Sometimes the people in charge have no idea what they’re doing.

Page 74 · Location 798-799

the prospect of beginning something new is often scarier than sticking with something old and stale.

Page 78 · Location 814-815

Start your story as if your audience is your best friend and you’re letting your BFF in on a little secret.

Page 80 · Location 838-839

Starting a story with the word “so” makes me feel like I’m starting in the middle of a thought, like I’m midway through a casual conversation and I’m easing into the meat of a story I want to tell my friend. Feel free to try this yourself. A lot of my students

Page 80 · Location 845-847

Starting a story with the word “so” makes me feel like I’m starting in the middle of a thought, like I’m midway through a casual conversation and I’m easing into the meat of a story I want to tell my friend.

Page 80 · Location 845-846

Start your story with a thesis statement about yourself and then tell a specific story that proves your thesis to be true.

Page 81 · Location 849-850

a story is not a list, so I don’t want twelve short examples of how you’re afraid of commitment; I want one story in great detail that proves this.

Page 82 · Location 867-868

Indifference is the enemy of storytelling. If you don’t feel strongly about what you are talking about, the audience won’t care about it either.

Page 86 · Location 904-905

As listeners, we often care more about how you felt about what happened than what actually happened.

Page 90 · Location 931-932

Feeling strongly towards or against something/someone

Page 91 · Location 950-950

No one likes being told how to feel.

Page 95 · Location 995-996